Archives for category: Embroiderer’s Guild

I was tagged by Alex from underatopazsky, http://underatopazsky.wordpress.com a great source of encouragement and inspiration to me, I get a regular fix of looking at her work for real at Scunthorpe Embroiderers Guild. Its good to spend time with like-minded creative folk in reality and in blog land. Thank you all for hopping over from her site.

I also live in North Lincolnshire, in a village with woodland on the doorstep. Regular walks whatever the weather all the year round are a great source of inspiration for me. My blog name of debbidipity was chosen because of the way I dip into all sorts of art and craft techniques with varying degrees of success. I finished a B.A in Fine Art Practice at Hull School of Art and Design as a mature student last year.

1.What am I working on?

As usual several (many) different projects: quilts; embroidery; painting; canvas work; finishing off lots of small mainly Embroiderer’s Guild projects; decorating; sorting, filtering, re-arranging and tidying my work spaces; writing; preparation for a large mosaic; a few little books; plotting, planning and designing new work; several running sketchbooks.

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quilt inspired by woods

 

 

 

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old suitcase retrieved from Dad’s loft cleaned up

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vintage fabrics etc yet to be explored

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fabric washed ready to use for a quilt inspired by a stained glass lampshade

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designs with paper for above quilt design

 

2.How does my work differ from others of its genre?

I always have several projects on the go at a time, this keeps the ideas fresh and lets the work develop further, one thing leads to another and techniques from one media lend themselves to others. This transfer of skills across different media is what makes my work my own.

 

3.Why do I write / create what I do?

It’s just an integral part of me as far back as I can remember. I’m a doer, which isn’t to say I don’t think, but the thinking is best when my hands are busy too. When I see somebody else making something I want to have a go, not to copy what they are doing but to put my own slant on the process. It always has to be a challenge, part of the learning curve. I may make more than one of something (quilts for example), but everyone is different. Some of the things I make have a repetitive element to them, but this is good planning and problem solving time for other stages of the project or for another project entirely.

 

4.How does my writing / creating process work?

I don’t write a great deal other than “my pages” every morning, something I have done for many years now, since reading Julia Cameron’s The Artists Way. It sorts out my head, letting go of the dross, the trivia and trivial, processing things that are bugging or worrying me, which in turn helps make space for the creative things in my life. Some days the muse just flows and as I’m writing ways to solve the project in hand just end up on the page.

The creative process mainly works in a couple of ways. Occasionally I wake up with an image in my head of a finished piece. This may sound great but usually when this happens I have little or no idea how to execute them. Often my creative writing comes this way, but usually in the middle of the night with words chasing around my head, going round in circles until I jot them down, and once I have I go back to sleep, if I resist they just keep me awake.

A large felt sunflower piece came to me in this way. It was only the second piece of felting I had done, and by far the largest piece of work, other than a couple of quilts, I had taken on at this time. I had no idea how to make this piece but once I set up the pre-felted background 1 metre by 2 metres and had the fleece to hand it just flowed, and once it was hung in the pre-determined place it looked just as I had envisioned it.

 

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felted sunflowers

 

Far more frequently some “treasure” be it a leaf, a thread or a piece of quilting fabric will inspire me to create. Sometimes this is sketched, planned and designed before the process begins, at others I make a start not knowing whether it will end or how it will look. It evolves as I go along, analysing and assessing each stage as it progresses.

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ladybird fabric just had to go in my garden inspired quilt

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nearly finished garden inspired quilt

My nominated blogger is writer Lois Elsden, http://loiselden.com  She is as intrigued by words and their meanings as my language teacher husband. Lois has published several e-books and continues to write all day every day.

Also take a look at Jean Pierre  http://jpgraveur.com a french friend printer, he can’t take part in the blog hop, but well worth a look.

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For some reason I have not been able to get into my blog in the last few weeks. Time has been pretty tight, and on the odd few occasions when I’ve tried to blog, it just wouldn’t work. Frustrating!

This is one of the things I’ve worked on and finally finished. It needed sequins and beads, lining and cording.

I used two different size gold sequins put randomly around the embroidery. I seen one or two others finished and realised that I needed to keep the sequins in quite tight to fit them on the front and to keep them away from the seam at the bottom.

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A selection of beads in the same  and toning colours as the stitching were used to anchor the sequins down.

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This lemon printed fabric came with the kit for the lining.

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Much as I like it, it wasn’t right with the colours of the embroidery and the design was too large.

The burgundy and gold from my rose window quilt worked much better. I used the burgundy for the french knots and beads for the flower centre.

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The embroidered piece was machine stitched to the lining with right sides together, leaving a small gap for turning through on one side which was hand stitched. The two sides were hand stitching together to make the back seam.

The same burgundy stranded cotton was used for  cording that edged the seams across the top and down the back.

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Detail of the corded back seam.

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The finished scissor keeper. The end of the cord made a tiny tassel at the bottom.

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This is another Embroiderer’s Guild project I came across while I was tidying up, (one of many). It’s a scissor-keeper done in detached button-hole stitch. A new stitch to me, and it improved as I grasped it. This is the nearly finished first attempt. I then saw Alex’s and realised how messy mine was, big, uneven stitches. I pulled it all out and started again.

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I did more smaller chain stitches round the edge of each petal. This in turn means that there are more detached buttonhole stitches too.20140219-153735.jpg

I’m about to start the second petal here. I’m much happier with how it looks.
20140219-153819.jpg I like the effect of the varigated thread.

20140219-153851.jpgI done burgundy french knots for the centre of the flower. I want to put some beads amongst them too. Then it’s almost ready to make up.
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A small group of us from Scunthorpe Embroiderer’s Guild went and sat in the gardens of Scawby Hall yesterday afternoon to celebrate “national day of Stitch”. A beautiful setting and pleasantly warm. We were all working on our own projects and had a selection of finished work for folks to see too. As usual, lots of nattering alongside the stitching.

20140803-115135-42695009.jpgI continued with my memory quilt, the last two 9’s of 1999.

20140803-115134-42694747.jpgThen after just over an hour of stitching the heavens opened, a quick dash to the nearby greenhouse for shelter.

20140803-115328-42808080.jpgIt was good to be out of the raining,warm and dry, we’d all managed to put the sewing away before it got wet, but slightly soggy tops.

20140803-115135-42695275.jpgIt was beating down on the polythene,  reminding me of camping holidays, snug in your tent.

Once the rain stopped we retired to Scawby Church for tea and cakes. Cakes as good as usual Sue. The stitching and talking then continued. We were all enjoying ourselves and reluctant to pack up, but the tea volunteers were ready for home. We all agreed we should do it again soon.

20140803-115135-42695522.jpgI finished the last bit of stitching this morning, and hung it on the line to photograph. I’ve found the rest of the fabric to finish the sashing down the sides. Then it’s how to finish it off, my usual fleece on the back or something a bit more challenging? I’ve  some ideas, just need to try them out.

I’ve finished the miniature embroidery, from Alison Larkin’s workshop at Scunthorpe Embroiderer’s Guild from a couple of weeks ago. I needed good light, my reading glasses and a magnifier to see what I was doing. I’ve seen a couple of the other’s finished work, we had all got favourite areas on our own work (mine was the bottom leaf) and bits we weren’t quite happy with (the centre flower). However, several of us found this small scale a challenge, split stitch with a single strand of floss is not the easiest thing to do. I have often admired miniature work in the past and thought I should have a go while my eyes were good enough to see small scale. Whether I will do more I’m not sure, it certainly needs lots of patience as well as good eyesight. I just need to make it up now.

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Close up of miniature embroidery

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Detail of miniature embroidery

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Finished miniature embroidery.

We had a choice of three kits; burgundy / maroon (the bottom image is the truest colour), blue or green. It looks very different in other colour ways, have a peak at Alex’s  green version at underatopazsky.wordpress.com/‎