Continuing with the scrappy nine patch

Even though I just wanted to continue with this piece after Alex’s workshop, I really needed to finish off other things first (some of which I have managed to do). I took it along to “the move it on session” last week at S.E.A.T.A. (Scunthorpe Embroidery and Textile Association), and have continued with it this week between other projects.

I started by anchoring down some of the bullion knots on the limpet shell, with some matching sylko. That stopped them wriggling around so much! But once they were not moving all over the place, I realised I need lots more, so back to the Bella Donna viscose thread.

You can see how it quickly unravels, but the sheen gives just the effect I want.

The limpet shells are perfect to obscure things partially, which pulls you in to have a closer look. The two limpet shells were just the right size for one of the recycled jewellery spirals that Margaret gave me last month.

And another shell, over the printed fabric, looks as if you are seeing what’s inside if it didn’t have the top missing.

The little bead fishes got caught in the net.

A scrap of Angelina from some long forgotten project gave a little sparkle on the fleecy piece of fabric, before the shell was attached with some long stitches in perlé thread.

I’ve started to couch down the ends of the Prima Donna viscose thread from the “Pomatoceros” (a tube feeding annelid worm).

Most of the pieces are anchored down now, but time to assess what else to add.

Some long legged chain stitches represent the ropes on the fishing net.

A variegated thread is used to anchor down the shell that already had three holes in, and the fabric cascading through it.

Then a twisted cord in Madiera Metallic added another layer of sparkle. The dyed / painted piece of fabric has been ruffled up, and stitched down to look like patterns in sand.

A few beads are added in the folds of the tea dyed calico.

A satin stitch shell was added in perlé, and a few strands wrapped in gold coloured silk to give the effect of patterning on the shell. Some of the very unravelled Bella Donna from the “Pomatoceros” was plunged to the back and then brought up from the inside of the shell, and a few strands of perlé were unravelled to give some movement.

This is where it has got to so far. The difficulty is knowing when to stop. It’s lovely to work on and by far the most free thing I’ve worked on for a while: it’s good to respond to what’s there without having a preconceived idea of where it’s going.

Scrappy nine patch workshop

The workshop we had last Saturday at S.E.A.T.A. (Scunthorpe Embroidery and Textile Association) with Alex Hall flew by. Alex’s intention was for us to use different ways to attach found objects (like plastic rings) to fabric using a variety of stitched techniques.

I had already decided before I arrived that I was going off piste. I had some limpet shells that were almost rings that I wanted as my starting-point. This also influenced my choice of background fabric and my scraps, with a lovely piece of indigo batik / tie-dye that was just about the right size for a front and back. While looking for more limpet shells I found a plastic box full of seasidey bits and pieces gathered for a workshop with Nicky Dillerstone years ago: tea-dyed towelling and calico, blue velvet, a scrap of print in blue and cream spirals, textured synthetic (heat gun?), a strip of painted calico (sea and beach?).

With a little ripping and cutting, moving things around and assessing balance, I was ready to start anchoring down. The left hand side looks like sea and the right more beachy.

Looking through a jar of beads I found a little fish, which I thought was a bit twee, but then found several more. They are really tiny, kept in a spice jar lid. One has got away already.And there were exactly nine mixed in with beads and sequins etc.

Then I found this bit of net, and thought they could be caught in the net, with one or two escapees.

The shells below are ones I started painting at my painting class earlier in the week. Alex had informed me that the wonderful textures on the largest shell and the left foreground one, are “Pomatoceros” (what a lovely word!) – a tube-building annelid worm.

The central limpet shell was quite smooth, so I decided to add some “Pomatoceros” texture with bullion knots in the “Bella Donna” viscose thread that I’d vowed not to use again a few weeks ago!

At the moment they are wriggling all over the place and need anchoring to the shell with some matching sylko, but are giving the effect I’m aiming for. Even for bullion knots it’s horrible to work with, but it does slide on itself quite well.

Not much has been stitched down yet, and it will no doubt evolve from here as other things jump out at me, like using a limpet shell over the printed fabric to see the mollusc inside! One of the new members very kindly gave me the two silvery spirals, from a recycled piece of jewellery she’d found in a charity shop. Much to my shame, I can’t remember her name (sorry!), but I think she got my travelling book piece from last week.

I’m looking forward to getting back to it, once I’m up to date with the other things that have deadlines.