I started on the top left corner with a stitch new to me, Crescent stitch, and then played around with scale and shape; a few are more rectangular than square. It also means that more of the background canvas is visible, maybe too much. I’ll assess that further down the line.

The zigzag stiching continues with the variegated ribbon, which isn’t good to stitch with. It catches if you so much as look at it, but picks up the colours in the copper so beautifully. Then I used a gold-ish stranded, which is much better to stitch.

I carried on filling in with straight stitches down the right hand side.

A row of burgundy wool zigzags to leave a gap between the block of them, more straight stitches to anchor the felt, the pink strip, and then an eyelet into a corner of a zigzag.

It looked OK, so I continued with different size eyelets in the same gold-ish colour, and more straight stitches in the very strange peach-coloured cord. This one unravels at the end if you are not really careful pulling it through, but it has a lovely texture, and again is worth the effort.

More straight stitches fill in around the eyelets, but I realised that the burgundy wool had gone one hole too high at the top (difficult to see as it is so near the staples), as well as some of the straight stitches to the left. I unpicked them before stopping. It’s nearly there now, and it’s come on fairly quickly over the last month or so. (Colour play, if you missed the beginning.)





